Revue Noire N°02 ABIDJAN (Ivory Coast) + SOKARI DOUGLAS CAMP (Nigeria-UK)
                                                                                                              EXTRACT (THE 30 FIRST PAGES OF THE MAGAZINE / 96 p.)

Editor Jean Loup Pivin. Monography Sokari Douglas Camp, metal sculptures (Nigeria-UK) and contemporay art in Abidjan, portfolios and panorama of the artists : art, photo, literature, dance, theatre, music, architecture, heritage, design, ritual art, talks, mémory, news of the art world. Edition September 1991. In French and English. 56 pages 23x33 cm.    (20 € OUT OF PRINT - only AVAILABLE in PDF)

Beyond a Nostalgia for Masks
Is it reasonable to discourse culture, sculpture and painting, art, in Africa where aIl is turmoil : economic depression, political crises, social upheaval ?
In these troubled times, isn' t the value of the word culture itself disputed ?
What sort of project can satisfy young people aware of the world's injustice and the injustices of their own countries, more interested in acquiring an international culture and international consumer goods than acquiring a national culture with its~safe, classic values ?
How mu ch is someone killed in a demonstration worth compared to a painting or a text ? Have words and art still any real influence on vested interests ? What part do artists and especially painters have to play in contemporary African movements ?
How to interpret the fact that African artists go into exile as soon as they want to express their talents ? Which means that more African artists are living today in Paris, London or New York than in Abidjan or Lagos.
There should be no ready-made answers to these vital questions concerning the role of African creative art in-affirmations of national identity and in world culture. But we must set the debate rolling with the viewpoints, in this issue, of Mali's Alpha Oumar Konaré. It will be continued in later issues. There will be no economic development and no real political evolution in African countries if they don't recognize the importance of their national products in the field of art and culture, if they can't go beyond a nostalgia for masks. That we are sure of, and that is why we have created Revue Noire. Take your time : look at what you can show you, in this issue, of the sculptures by Sokari Douglas Camp from Nigeria, or of the paintings by Tamsir Dia from Ivory Coast, or of Keith Piper's installations. (extract of the editorial, J.L. Pivin)

CONTENTS RN 02 ABIDJAN + SOKARI DOUGLAS CAMP :

ART / MONOGRAPHY / Sokari Douglas Camp /
IVORY COAST / Frédéric Bruly Bouabré, Aboudramane, Youssouf Bath, Tamsir Dia, Jean Gensin, Zirignon Grobli, Théodore Koudougnon, N'Guessan Kra, Mathilde Moro, Vincent Niamien, Bakari Ouattara, Touré Yacouba /
ART / Keith Piper

PHOTOGRAPHY / Dominique Wade

LITERATURE / Amadou Hampaté Bâ, Bruno Tilliette

THEATRE /  Souleymane Koly , WereWere Liking

CINEMA / Recidak, Pierre Haffner

MUSIc /  Binda Ngazolo

FASHION / Macy Domingo

DESIGN / Ya Ya, Ndong Menzamet, Pépin Antonio, William Wilson, Mauro Petroni, Vincent Niamien

RITUAL ART / Ekpo Nigeria

TALKS MEMORY / Alpha Oumar Konaré, Yacouba Konaté, Pierre Gaudibert

BOOKS /  Nicolas Martin Granel

NEWS of the ART WORLD /  Museum für Völkerkunde Frankfürt, Africa Explores 20th Century African Art New York

EXTRACT (THE 30 FIRST PAGES OF THE MAGAZINE / 56 p.) :